Month: March 2008

Some Small Light Source Ideas from Corporate Photographer, David Tejada

I thought this video by Denver based Corporate Photographer, David Tejada, would be extremely helpful to anyone visiting my photography journal. David has a ton-of-years experience as a Corporate/Annual Report Shooter. If you want to know about how to shoot in difficult locations in far-away places, then David Tejada is “da-man”! In this video, David goes over a few “Strobist” methods to boost light, when you need just a small flash to do a lot of work. So, here are a few ideas. David’s website is:

To see the video, run your mouse over the “embedded video” link below, or simply click on the link to go to video location at youtube.

Embedded Video

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Balance Conceptual, v.4

Balance Conceptual, v.4, originally uploaded by fine-grain.

This is a concept photo I did today, and as the title states, it’s all about “balance.”

I wanted the image parts to connect in purpose and convey a similar message.

There are four main connections: 1) Color: Yellow and gold emphasized, and the black and white push those colors out into the foreground. 2) Shape: The shape of the egg and the shape of the spirit bubble are the same. 3) Line: The lines in the spirit level help gauge the viewers understanding of how level a surface, and these lines are augmented by the straight set of lines on the egg. And last but not least, 4) Balance: The spirit level bubble is approximately in the middle of the two lines; and, the egg is balanced on top of the level.

This image is cohesive because of the connections, and its ability to convey a specific message. In this case, the message is one of Science/Physics and can be applied to “Balance”, as well as, “Equilibrium.”

Getting in Close

Cat’s Eye, Edit B

Our eye must constantly measure, evaluate. We alter our perspective by a slight bending of the knees; we convey the chance meeting of lines by a simple shifting of our heads a thousandth of an inch…. We compose almost at the same time we press the shutter, and in placing the camera closer or farther from the subject, we shape the details – taming or being tamed by them.” – Henri Cartier-Bresson – on composition. “American Photo”, September/October 1997, page: 76

Another way of getting a very close view of your subject, as in this shot, is to crop the image to include the ‘main subject’ AND DISCARD the rest.

The cropping method is also a safer way of photographing when your subject is an ‘eye’, which is highly sensitive to light (don’t want to damage anyone’s eye by being careless). I backed up the light considerably on this macro shot, and then positioned the light at a slight angle (the light is off-camera). In the final image (shown here), the main subject remains, and the rest was cropped. You can see the ring-flash makes a cool catch light in the eye.

The freedom to liberally crop brings up an important point in favor of high megapixel cameras: A high-MP camera (12 or 16 megapixels for example) is beneficial, because there is plenty of room for cropping…the original image will give you more leeway for tight cropping than a camera with less megapixels, naturally.

This image was shot with a Canon G2 (4.1MP), so the original image was not very large; thus, the initial image needed to be very accurate and the main subject positioned to take up more space in the frame. Therefore, less cropping was necessary. It would have been nice, however, to have the “freedom to liberally crop.”

Over all, when shooting for detail, move in close; and if that is not possible (or safe), then considering cropping the image to get to the main subject.