9-SECONDS ONLY

“9-Seconds, v. 5, Edit C”

9-Seconds, v5, Edit C - v.5 Copyright 2011 Nawfal Johnson Nur.  Original photograph created 3 Aug 2008.  The general idea behind this photograph was to capture a certain amount of time in one frame.  In this case, it was 9-Seconds.  9-Seconds Only.  The 9 shadow marks of the second hand movement shows the 9-seconds.

9-Seconds, v5, Edit C - v.5 Copyright 2011 Nawfal Johnson Nur. Original photograph created 3 Aug 2008. The general idea behind this photograph was to capture a certain amount of time in one frame. In this case, it was 9-Seconds. 9-Seconds Only. The 9 shadow marks of the second-hand movement shows the 9-seconds.

MOTIVATIONS:

When photographs are created, one of the silent ingredients that go into the composition is shutter speed.  By looking at the photograph, we can kind of tell what the general shutter speed is.  A photo of a speeding car shown in stop-action may be photographed with a shutter speed above 1/250 second – give or take a stop here or there.  A low-light conditions photo, shot at ISO100, will likely have  a slower shutter speed, and depending on MANY VARIABLES, the shutter speed used could be anywhere from a half-second to several seconds.

The point I’m attempting to make is that without having access to EXIF data, the viewer really does not have a clear idea of the shutter speed used to capture a photograph.  And in many cases, most viewers don’t care to know the shutter speed.

WHAT MAKES “9-SECONDS” DIFFERENT?

What was needed for this photograph was to create an image where the subject was time itself.  In the case of this photograph, “9-Seconds”, the magic of time is illustrated by the movement of the seconds hand.  In a way, the viewer may become curious and count the shadowy second-hand lines.  The viewer becomes involved in the photo in this way.  One thing for sure, this photo was created using a 9-seconds shutter speed, give or take a few milliseconds.

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