Being Prepared for Opportunities & Chances

Abstract Light Streaks #419, Edit D, aka, Ganesha and My Thoughts on doing Photography Everyday

Title: “Abstract Light Streaks #419, Edit D, aka, Ganesha”.

Creation Date: 13 August 2019.

By: Nawfal Johnson.

Copyright 2019 Nawfal Johnson
All Rights Reserved
Penang, Malaysia
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https://www.imagekind.com/Abstract-Light-Streaks-419-Edit-D-aka-Ganesha_art?imid=cf94931d-f103-4392-84ef-06266d80149c

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Photography Everyday?

“One question I get asked sometimes is, “Do I do photography everyday?””

“The simple answer is, ‘No’, I don’t photograph subjects everyday.

In fact, sometimes, one, two, or even three weeks may roll by between the actual process of photographing things.

I know, that is ‘BLASPHEMOUS’, some other Photographers may exclaim!

Well, here is my reasoning: IF, I photographed everyday, I would never get to the actual creation of Art Photographs that I do, and my photographic art pieces do take (considerable) time to complete.

I already have a backlog of RAW images that I need to edit and work with. Maybe other Photographers need to be photographing everyday, but I don’t! I already have enough RAW images I need to work with, and I can only do that if I am at my desk, working with those images on my TAB (or a computer) and doing the ACTUAL creative work to design images for my various series.

So, ‘No’ is the answer to that question. When I run low on RAW image files, or, if I just want to go take pictures, then, I grab my camera and hit the streets to find new subject matter. Nevertheless, I am always composing images in my mind, and photographing images in my mind as I walk around: It is a habit for me.

☆ I do always carry my camera with me, as that is PHOTOGRAPHY’S FIRST CARDINAL RULE: ‘ALWAYS HAVE YOUR CAMERA WITH YOU’!

However, that does not mean that I always take my camera out and capture photographs for nothing. In my opinion, a subject REALLY needs to POP-OUT at me and grab my attention, or look VERY interesting for me to compose a picture with my camera. It is just the way I am now, with my photography.


Subject:

#Poetry of Moving Lights

Photography Categories:

#Long-Exposure Photography, #Nighttime Photography, #Dancing Lights, #Ambidextrous Photography.

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Tags:
#chaotic, #abstruse, #action, #AMBIDEXTROUS, #black, #complex, #conceptual, #deep, #entangled, #explosively, #expressionism, #galaxy, #horror, #hypothetical, #ideal, #illuminati, #indefinite, #infinite, #intellectual, #lightstreaks666, #longexposure, #lowlight, #Malaysia, #mirrored, #Multidimensional, #MultiUniverse, #NawfalJohnson, #NIGHTMARE, #nighttimephotography, #nonconcrete, #orange, #OrderChaosControl, #outerspace, #Penang, #philosophical, #Physics, #Pollock, #Quantum, #quasars, #recondite, #red, #RorschachLightStreaksArt, #Serpentine, #Serpentis, #StarGate, #StephenKing, #Streetlights, #StringTheory, #symmetry, #theoretical, #transcendent, #transcendental, #unreal, #UrbanLightatNightPhotography, #urbantraffic, #white, #XXX, #yellow, #Poetry, #MasterofLight, #other, #theworldistotallyfuckedupbeyondallrepair, #Rorschach, #psychedelic, #DarthPlagueis, #Photography, #Poetry, #Dancing, #Dance, #Photography, photography, #diabolus, #devil, #evil, #Ganesha,

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THE BEST CAMERA IS THE ONE THAT IS WITH YOU – AGAIN

Back on 21 May 2007, I had mentioned that the best camera is the one that is with you…and now I’m saying it again. 

Here’s the link to the Article where I mentioned "The Best Camera is the one with you!"  This post recalls the time I hopped out of my car and got the photo of the very tall, interesting bike, and I took the shot with my carry around camera (a Canon Powershot).

I may have mentioned this back in 2007, but I was reminded about carrying around a camera all the time, from a Brooks Jensen podcast.  And, I’m sure this bit of advice has gone around, many, many times prior, by Photographers through the ages. 

Before that, I’m pretty sure that cave people were saying:

“Ugh!  The best wall carving tool is the one I have with me!  So where the hell did I put it?  I just saw an awesome takedown by a Saber Tooth, and I need to record it before I forget the details!”

Chase Jarvis recently came out with a book about THE BEST CAMERA philosophy, and he does a lot of work with the iPhone.

My carry around all the time camera is my SAMSUNG Phone.  It may only be 2MP, but it is sure better to take inspiring scenes with my Camera Phone than just making the “CLICK” SOUND with my mouth and have nothing to show for it:  Am I right or what!

I just wanted to finally put some of the photos I’ve taken with my SAMSUNG Phone Camera:

“ABSTRACT” PHOTOGRAPHY:

ABSTRACT #11-2009nnp ABSTRACT #1-2009nnp ABSTRACT #2-2009nnp ABSTRACT #3-2009nnp ABSTRACT #4-2009nnp ABSTRACT #6-2009nnp ABSTRACT #7-2009nnp ABSTRACT #8-2009nnp ABSTRACT #9-2009nnp ABSTRACT #10-2009nnp

 

“GREEN” PHOTOGRAPHY

GREEN #3-2009BWnnp GREEN #1-2009nnp

 

“METAL” PHOTOGRAPHY

NO ENTRY - TREE, 2009nnp METAL #1-2009, B&WNNP Metal Railing #1-2009NNP

 

“SHIPS, SEA & SKY” PHOTOGRAPHY

Ship Chain, No2 , NNP AT THE DOCK, #1, NNP CLOUDS, #1, NNP P, UNDAN, #2, NNP P, UNDAN, #3, NNP P, UNDAN, NNP

 

“RAIN” PHOTOGRAPHY

RAIN #1-2009nnp

 

That’s all for now.  I see “photographs” (in my mind’s eye) all around me: It is a blessing when I have a camera with me, but it is a curse when I don’t.  However, now, I always have a camera with me, and it doesn’t matter that it is just my 2.1MP Phone Camera. 

Old Wood House at Night, v.2c, & Original

The bottom image is the original shot. The top image is the edited version. The top version is also the one the B&W image came from.

Photographed by Nawfal Nur

It is like Day & Night. Sometimes, you just have to work with the original to get something that you can be happy with.

You go out at nighttime, let’s say, and you see a scene, and it may not be ideal, or the circumstances may not be ideal, but you see potential. You grab your camera, you set it on your tripod, and you take the photograph. With limited time and working with the existing lighting, you take the shot: The “original photograph” is like the clay a potter works with to create a piece of art that is previsualized in the artist’s mind.

As a photographer and artist, you start working with the original image making the artwork come to life; it starts becoming the image you saw in your minds eye.

For me, I like this process, working with the original and then molding and shaping it until it becomes the image I saw in my minds eye, as I said, a work that I can be really happy with.

If I have a choice, I prefer to get the photograph as close to my vision as possible, with the original. However, this is not possible all the time.

This scene was photographed at around 11PM, and the only lighting was a single HPS (high pressure sodium lamp) street light, which for photographic purposes, is a very weak illumination source. Various other urban light pollution was around, but definitely not helping the photographic situation. What drew my attention to this scene was the texture of the materials in the house, the spookiness of the environment, and the possibilities I saw in my minds eye. That was enough for me to take the effort, and make the exposure.