Old House Designs & Details Penang

Old Wood House at Night, v.2c, & Original

The bottom image is the original shot. The top image is the edited version. The top version is also the one the B&W image came from.

Photographed by Nawfal Nur

It is like Day & Night. Sometimes, you just have to work with the original to get something that you can be happy with.

You go out at nighttime, let’s say, and you see a scene, and it may not be ideal, or the circumstances may not be ideal, but you see potential. You grab your camera, you set it on your tripod, and you take the photograph. With limited time and working with the existing lighting, you take the shot: The “original photograph” is like the clay a potter works with to create a piece of art that is previsualized in the artist’s mind.

As a photographer and artist, you start working with the original image making the artwork come to life; it starts becoming the image you saw in your minds eye.

For me, I like this process, working with the original and then molding and shaping it until it becomes the image I saw in my minds eye, as I said, a work that I can be really happy with.

If I have a choice, I prefer to get the photograph as close to my vision as possible, with the original. However, this is not possible all the time.

This scene was photographed at around 11PM, and the only lighting was a single HPS (high pressure sodium lamp) street light, which for photographic purposes, is a very weak illumination source. Various other urban light pollution was around, but definitely not helping the photographic situation. What drew my attention to this scene was the texture of the materials in the house, the spookiness of the environment, and the possibilities I saw in my minds eye. That was enough for me to take the effort, and make the exposure.

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Paint the World….with Truth?

Pigeon on Ledge-IMG 2418, Edit B-np

Yes, wouldn’t the “truth” be nice…

I’m a firm believer in the standard “X-Files” tagline: “The Truth is Out There!” But believe me, fellow brothers and sisters in Art, it is up to you to find it!

Well, as you may already have guessed, this is turning out to be absolutely different from what you thought it would be, at least, according to the “title” of the journal entry.

First, however, let me tell you about this image: It is a pigeon, of course, standing on the ledge of a very old, British Colonial, row house in Penang, more specifically, Georgetown.

These colorful shots of old houses is a new series I’m working on: I’m thinking of calling the series, “Distinctive Georgetown,” or something like that. My file of images is building in this filing cabinet of a photo-series – I better name the Series soon.

This is a macro detail of an old house on the corner of Jalan Irving and Jalan Krian.

As surreal as it sounds to me now, I was interviewed tonight on a local Radio show, and I think what I responded with to this questions, “What is it about a scene that makes you want to take a photograph?” – was pretty spot-on (my ‘approximate’ answer is below).

“For me,” I said, “I think very macroscopically, even when working on this Historic Preservation self-assignment. I look at the details and compose the details, the composition, the context of the image in my heart and mind first. If it seems like a worthwhile scene to work on, then I get my camera out, and I work on the shot I had developed in my mind.”

That’s a pretty close word-for-word, at least as far as I remember. My wife would probably say, “NONSENSE!” Oh…Not “nonsense” to my interview answer, but to my skills of listening and remembering. I think I have remarkable listening skills. She’s perhaps blinded by her own bias: She says I choose not to listen to her sometimes, and I tell her that it is a skill I’ve developed over the years, called “Selective Listening!” She’s not amused! I think it’s a hell’of’a skill and I’m considering offering it as a Short-Course for husbands of all time zones!

My Photography is not necessarily the “truth” – it is more closely linked to my Painted Version of the Truth! After all, there is only one reality, but for Photographic Artists, we provide the context for which that “truth“, that “reality“, is presented in the frame of a single shot at a particular time.

In my “Distinctive Georgetown” photographs, it is a close representation of “reality” but with my twist on each scene. That is what artists do, right, reveal their own personal vision to the canvas, the rock, the film, the print, or whatever.

In my next journal entry, I may discuss another type of “truth” that ALL Artists need to be on the lookout for and protect themselves against, and that “truth” is the sugar-coated kind, where the people you come across could be your savior, or the devil that stabs you in the back! And sometimes, if you’re not careful, they appear as your savior, then reveal themselves to you as the devil, their real identity.

Like I said, MAYBE, I’ll cover that topic next time. If I can perhaps, save one (or more) artists/photographers, from making mistakes that I’ve made, by telling a simple, if not, hard-learned tale of misery and the agony of deceit and treachery, then, it may be a tale worth telling…or at least I may highlight the finer points of the lesson….Mysterious? Yes… That’s OK…

More later.