low-light photography

Serpentis V2, Edit C Abstract Light Streaks Photography by Nawfal Johnson

Title: “Serpentis V.2, Edit C”.

Creation Date: 21 August 2018

Series: Abstract Light Streaks.

Location: Penang, Malaysia.

Photography Techniques: Low-Light Photography. Long-Exposure Photography. Dancing with Lights.

Art Style: Abstract Expressionism Photography.

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Copyright 2018 Nawfal Johnson.

All Rights Reserved.
Penang, Malaysia.
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☆ Purchase Fine Art Photography Prints and other Merchandise from the following link:

https://fineartamerica.com/featured/serpentis-v2-edit-c-nawfal-johnson.html

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Tags:
#Abstract, #Expressionism, #lightstreaks666, #Serpentine, #Serpentis, #action, #nighttimephotography, #NawfalJohnson, #lowlight, #longexposure, #urbantraffic, #streetlights, #orange, #red, #yellow, #white, #black, #Malaysia, #Penang,

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RELAXING UNDER THE NIGHT SKY

Relaxing under the night sky

"Relaxing Under the Night Sky"

6 Dec 2011
Nighttime long-exposure photograph.
Copyright 2011 Nawfal Johnson Nur 

Motivations:
I was outside already shooting the nighttime sky, and my assistants were ‘busy’ helping out, as you can see.  So, I thought I would capture about 30-seconds of their busy-ness.  The bright rectangular items in the photo are cell phone screens.

Old Wood House at Night, v.2c, & Original

The bottom image is the original shot. The top image is the edited version. The top version is also the one the B&W image came from.

Photographed by Nawfal Nur

It is like Day & Night. Sometimes, you just have to work with the original to get something that you can be happy with.

You go out at nighttime, let’s say, and you see a scene, and it may not be ideal, or the circumstances may not be ideal, but you see potential. You grab your camera, you set it on your tripod, and you take the photograph. With limited time and working with the existing lighting, you take the shot: The “original photograph” is like the clay a potter works with to create a piece of art that is previsualized in the artist’s mind.

As a photographer and artist, you start working with the original image making the artwork come to life; it starts becoming the image you saw in your minds eye.

For me, I like this process, working with the original and then molding and shaping it until it becomes the image I saw in my minds eye, as I said, a work that I can be really happy with.

If I have a choice, I prefer to get the photograph as close to my vision as possible, with the original. However, this is not possible all the time.

This scene was photographed at around 11PM, and the only lighting was a single HPS (high pressure sodium lamp) street light, which for photographic purposes, is a very weak illumination source. Various other urban light pollution was around, but definitely not helping the photographic situation. What drew my attention to this scene was the texture of the materials in the house, the spookiness of the environment, and the possibilities I saw in my minds eye. That was enough for me to take the effort, and make the exposure.

Old Wood House in the Dark, v.3

Time Taken: About 11PM.
Location: Jelutong, Penang.
Available Light: One Street Light.
Long Exposure.

Photographed by Nawfal Nur

An example of what you can do with nighttime photography, with minimal equipment, and working with the assistance on only a single street light.

The Aperture was set at f/5.6.
The Shutter Speed was at 6 Seconds.
Time Photo was Taken: Around 11PM.
Location of Shot: In Jelutong, Penang, Malaysia.

And the most important piece of equipment…

My SLIK: ABLE 300DX Tripod.