Nawfal Nur Photography

DAY-3-IRITIS, EDIT B (via Behind the Lens)

I thought that I may re-post this blog entry – it may help other AS’ers see what iritis looks like, just in case you have never had iritis, or if you think you are having an iritis attack. This is my eyeball – this is what my iritis looks like after a few days. I’ve seen my photograph on many medical websites (many without my permission), but mainly, if it helps anyone make a general decision, “do I have iritis”, then you can seek medical attention quickly. DON’T WAIT too long if you suspect iritis!

DAY-3-IRITIS, EDIT B This is what Iritis looks like. This shot was taken on Day-3: Right now, I'm on Day-7, and it's getting worse I think. I'm putting this up here because I get a lot of people coming to my photography journal [ right here… ] who are seeking information about Iritis and it helps to see a good photo of what Iritis looks like, and this is it! IRITIS SYMPTOMS If your eyeball is having any of these symptoms, or if you have any of these conditions, the … Read More

via Behind the Lens

Paul Bader Photography Interview

The Paul Bader Photography Interview:

Paul Bader Photography:  His Photography Story.

*** Because WordPress will not allow the Audio Podcast to be embedded here (e.g., it keeps getting deleted after each “Save Draft”), you will need to go to this SPECIAL PAGE, to Start the Audio Podcast, AND THEN, you can see the photographs below.  Sorry you have to jump around to get the audio interview started; but for now this is the only way I can do this operation. ***

Paul & Rita Bader

Paul & Rita Bader

Paul Bader

Paul Bader

Left Side - Robert & Otto Bader, Vernon Dankenbring, and Paul Bader, 1942

Left Side - Robert & Otto Bader, Vernon Dankenbring, and Paul Bader, 1942

Paul and brother Robert Bader, 1947

Paul and brother Robert Bader, 1947

Paul and brother Otto Bader.

Paul and brother Otto Bader.

PAUL BADER PHOTOGRAPHS:

Cowboy with Cigarette, by Paul Bader

Cowboy with Cigarette, by Paul Bader

DARK EYES, by Paul Bader.

DARK EYES, by Paul Bader.

Fun with Beer Foam, by Paul Bader.

Fun with Beer Foam, by Paul Bader.

MACHINIST, by Paul Bader.

MACHINIST, by Paul Bader.

Man at the Controls, by Paul Bader.

Man at the Controls, by Paul Bader.

Portrait of Girl with Ball, by Paul Bader.

Portrait of Girl with Ball, by Paul Bader.

BEHIND THE SCENES:  The ‘Elbow Grease’ Behind Getting this Podcast and the Photos Published Here!

Paul Bader is my Great Uncle.  He had a long career as a Professional Photographer, creating wonderful portrait and wedding photography.  He was also an accomplished Pet Portrait Photographer, and I think seeing his Pet Portraits as a kid is where I developed an eye for creating my Cat Portraits.  He is a longtime resident of Valentine, Nebraska, which is where he did much of his work as a Professional Photographer.

Currently, Paul is very active as a musician and singer.  His music style is country, very ‘cowboy’ish’ and folksy.  I hope I did justice in describing his music style.  He and my cousin Rhonda, sing and play music together.  In fact, the first part of this audio-cast is a song sung by Paul and Rhonda, and it is probably very familiar to many:  “Summertime Blues,” by Eddie Cochran.  The version I was most familiar with was by The Who.  Paul and Rhonda have given this popular tune their own special twist and sound – they have ‘made it theirs‘ with this rendition.

I would say that Uncle Paul was probably my first influence in the world of Photography.  Maybe I didn’t fully realize the good influence he was at the time, as a kid.  At my late Grandmother’s house in Lincoln, I would always see, and be amazed at the photographs and portraits my Grandmother had on the walls in her home that Uncle Paul had taken.  The seeds of Photography were probably planted in my brain because of being exposed to Uncle Paul’s Photography.  And in addition, the freedom of artistic expression was reinforced by my late Grandmother, who loved to paint.  Photography and Painting:  What a wonderful combination!

The Process of Getting this “Project” Done:

This whole interview project has been in the-works for some time, and it took quite a bit of effort to put it together.

This project all started because I wanted to document my Great Uncle’s Photography Career.  And, being an avid listener of the Brooks Jensen Podcasts (Founder of LensWork Magazine), I learned from one of Brooks’ podcast episodes about the merits of capturing peoples’ stories with audio recording.  So, thank you Brooks, for the idea.

Keep in mind, the distance between Penang and Valentine is around 9,100 miles, and a lot of the work on this project was done by regular post

What's that?  You know...stamps, envelopes, etc.

Let’s see, where was I…

Oh yes…I drafted a number of interview questions regarding Paul’s photography career for which I was curious about.  I sent the questions by email to my Mom, who forwarded the questions to Uncle Paul.  Uncle Paul recorded his answers to my questions on audio cassette tape.  A set of tapes were mailed to my Mom, and she made tape-to-tape copies.

After she was done making copy-tapes, she mailed the cassette tapes to me…the copy-tapes.  Unfortunately, the quality of the audio is instantly reduced at the copy level.  However, no worries, we can deal with that.

When I received the cassettes, I had the next level of copying technology to deal with:  Grabbing the audio from the analog cassette tapes and transferring that audio to some kind of digital format.

Thus, I bought a Panasonic cassette recorder/player, and also an analog-to-digital cable:  One plug of the cable goes into the Panasonic Player’s earphone jack and the other plug goes into the computer’s microphone jack.

I used Audacity Software to make the first recording.

The resulting file was HUGE:  The saved interview digital file was in the 160MB range.  The new digital file was TOO BIG for a Podcast style file.

I originally wanted to create an mpeg4 movie showing Uncle Paul’s photographs and running the audio interview at the same time, and that was not working well either, because the mpeg4 file size ended up being 260MB.

My luck was getting worse with each rendition of the interview.

I had to put the project on hold for a while to think out the problems I was facing.  I wouldn’t be able to do the mpeg4 movie, that fact was clear.  So, after a couple, maybe three weeks or more, I came back to the project to reconsider other options.

One other audio issue I had to work with was that the sound/quality level of the song is different than the interview file, and two files make up this single Podcast file.  This is due to my novice-talent working with audio files.  But it was a problem I had to deal with.   I attempted to ‘amplify ‘the song part of the file, just a little (by 1.7 dB), and I think it raised the song volume as I anticipated it would.  The interview part has better sound volume, so that is why the song needed the boost.

Besides the audio portion of this project, there is also the photographs portion.  I needed to get photograph samples from Uncle Paul to make the project complete.

Uncle Paul and my cousin Tim worked on taking digital photos of the originals prints, and this, I know, can be a challenging task.  When the digital shots of the original prints were completed, the digital files were sent to me by email.

To bring back some of the luster to the photographs, I worked on several of the photographs using my preferred software program for editing, Paint Shop Pro.

Therefore, the images seen in this blog entry were minimally edited:  I adjusted the Histogram Levels, a bit of adjustment in the Contrast, and I used the Clarify Tool adjustment to give some punch to the edited photographs.  I wanted to revive the prints without changing the interpretation too much.  My goal was to bring out the rich black, and to boost the mid and high tones in the photographs.  I hope my recent digital adjustments come close to the original prints looks from when they were first created in the darkroom.

BACK TO THE AUDIO PART:

Now…

If you use GOM Player or some other audio playing software with Equalizer Options, then move the 6K and 3K levels way up and that brings out the voice more clearly.  Move the 12K, 16K and 24K levels down near midway, to reduce high level noise.   Sorry for the need to adjust levels, but I’m not an audio expert – I’m just doing the best I can with the know-how I have on audio.

It took quite a little fiddling around, but I finally got the audio file to the size of 34MB (roughly), and I’m not messing with it any more.

The FINAL step before putting this Blog Entry together was finding an archive site online where I could upload my audio podcast file for eternity.  I did this at a site called, ourmedia.org.

In this audio interview, Paul discusses some important aspects of his career, the learning process of being a Photographer, and the challenges he faced living a ‘Photographic Life.’

Main Interview Topics:

  1. Early Artistic Endeavors – Commercial Art.
  2. Early Photography Training with Hattie Joy.
  3. Drafted into the Service (Marine Corp.) & Photography.
  4. 1952 Married Life and Farming in Kansas – Back into Photography.
  5. First Studio in an Abandoned Cream Station.
  6. Work in North Platte for Photographer, Earl Herana:  Learned how to be efficient – Every movement counted.
  7. Worked in Grand Island for another studio doing mainly darkroom print work.
  8. Photographing babies.
  9. Photographing Portraits, Senior School Photos and Weddings.
  10. Using the 8 x 10 Camera with Flash Bulbs!
  11. Changed to Speedgraphic 4 x 5 Camera.
  12. Conversion to Roll Film and Strobe Lighting for Speed.
  13. Lots of Wedding Work, PLUS, Selling Vacuum Cleaners!
  14. Winning Prizes for Photography.
  15. Pet Photography and “Tricks” to Get Good Shots.
  16. Getting burned out a little on Photography – Trying Life Insurance Sales.
  17. Purchase studio in Valentine, Nebraska.
  18. Push into Color Photography and Experimental Techniques (Double Exposures).
  19. Studio Fire Story.
  20. 1987, decided to sell the studio.
  21. Advice for Photographers:  It’s not a 9-to-5 Job!  Give it your all!
  22. Spends time now making and playing music.

I hope you enjoyed seeing the family photos of Paul Bader (and Brothers); as well as, seeing some of his prize-winning photography; and hearing his music & his story about being a Professional Photographer.

The Paul Bader Audio Interview – Just CLICK HERE!

THE BEST CAMERA IS THE ONE THAT IS WITH YOU – AGAIN

Back on 21 May 2007, I had mentioned that the best camera is the one that is with you…and now I’m saying it again. 

Here’s the link to the Article where I mentioned "The Best Camera is the one with you!"  This post recalls the time I hopped out of my car and got the photo of the very tall, interesting bike, and I took the shot with my carry around camera (a Canon Powershot).

I may have mentioned this back in 2007, but I was reminded about carrying around a camera all the time, from a Brooks Jensen podcast.  And, I’m sure this bit of advice has gone around, many, many times prior, by Photographers through the ages. 

Before that, I’m pretty sure that cave people were saying:

“Ugh!  The best wall carving tool is the one I have with me!  So where the hell did I put it?  I just saw an awesome takedown by a Saber Tooth, and I need to record it before I forget the details!”

Chase Jarvis recently came out with a book about THE BEST CAMERA philosophy, and he does a lot of work with the iPhone.

My carry around all the time camera is my SAMSUNG Phone.  It may only be 2MP, but it is sure better to take inspiring scenes with my Camera Phone than just making the “CLICK” SOUND with my mouth and have nothing to show for it:  Am I right or what!

I just wanted to finally put some of the photos I’ve taken with my SAMSUNG Phone Camera:

“ABSTRACT” PHOTOGRAPHY:

ABSTRACT #11-2009nnp ABSTRACT #1-2009nnp ABSTRACT #2-2009nnp ABSTRACT #3-2009nnp ABSTRACT #4-2009nnp ABSTRACT #6-2009nnp ABSTRACT #7-2009nnp ABSTRACT #8-2009nnp ABSTRACT #9-2009nnp ABSTRACT #10-2009nnp

 

“GREEN” PHOTOGRAPHY

GREEN #3-2009BWnnp GREEN #1-2009nnp

 

“METAL” PHOTOGRAPHY

NO ENTRY - TREE, 2009nnp METAL #1-2009, B&WNNP Metal Railing #1-2009NNP

 

“SHIPS, SEA & SKY” PHOTOGRAPHY

Ship Chain, No2 , NNP AT THE DOCK, #1, NNP CLOUDS, #1, NNP P, UNDAN, #2, NNP P, UNDAN, #3, NNP P, UNDAN, NNP

 

“RAIN” PHOTOGRAPHY

RAIN #1-2009nnp

 

That’s all for now.  I see “photographs” (in my mind’s eye) all around me: It is a blessing when I have a camera with me, but it is a curse when I don’t.  However, now, I always have a camera with me, and it doesn’t matter that it is just my 2.1MP Phone Camera. 

SHELL & BUBBLES, v.3

SHELL & BUBBLES, v.3, originally uploaded by Fine-Grain.

A Still Life Photograph of a shell and bubbles as it hits a surface of water. A study of stopping motion, rendering in Black & White, and what happens when irregular subject shapes hit standing water.

Many Colors, v.1, Edit B

Many Colors, v.1, Edit B

ESTEE LAUDER Cosmetics Case and crayon shavings.

Uploaded by BEHIND the LENS with Nawfal Nur on 27 Jan 09, 12.52PM MYT.

This is a One-Light Setup: A technique of lighting that I prefer if possible.

I can fully respect Photographers who use a truckload of lighting gear to get a shot, to light and fill 15 people for an Ad Shot at a Bar, or something.  Nevertheless, when it is just for me, for my portfolio, and going Macro, NOT getting too complicated with lighting allows me to put a single light (or two lights) strategically where I need them to get the look I want.

I like graduated shadowy areas in my shots; the shadows give a certain amount of atmosphere to a shot making it have depth, show texture, and express the interest that I want.

For this shot, an ESTEE LAUDER Cosmetics Case is the main subject, and Crayola Crayon shavings in the foreground provide a colorful filler.

A single VIVITAR 2800 THYRISTER Flash (left of camera) was used with a DIY Light Modifier (Silver), and a single white Styrofoam board (opposite).

I’ve had this VIVITAR flash for YEARS…at least as long as I’ve lived in Malaysia, and that is 15-years. On a scale of 1 to 5, 1 being “poor” and 5 being “OUTStanding!” – I’d give the 2800 a BIG 4.5!

.5 of a point taken off for NO Swivel.

The refresh rate on rechargeable batteries  is good and this flash unit is sensitive to my remote firing system…MUCH better than the Canon Speedlite I have, which seems to need much more battery power to trigger.  My Canon Speedlite works best with NON-rechargeable batteries.

My favorite small flash unit, however, is made by METZ! My 32-Z2 is my all-time favorite flash unit. Nevertheless, I made my DIY Flash Modifier specifically for the 2800 unit, the one used for this photograph.

Over all, I like this single, small setup for Macro, Still Life Photography: It sets up fast, easily transportable, low power to run and can be moved in and out quickly and effectively for good end results.

Happy Shooting!

And, to my Chinese friends and readers, “Gong Xi Fa Chi!” Happy New Year!

By the Way…If anyone wants to give me “Ang Pao” (Red Packet), then I will graciously and humbly accept, OK!

PETRONAS TOWERS, v.3, Edit D

PETRONAS TOWERS, v.3, Edit D

PETRONAS TOWERS
Kuala Lumpur, Malaysia
Creation Year: 2009

Vital Statistics:
Architects: Pelli Clarke Pelli
Location: Kuala Lumpur, Malaysia
Completion Date: 1998
Cost: $1.6 billion
Height: 1,483 feet
Stories: 88
Materials: Concrete, Steel
Facing Materials: Aluminum, Stainless Steel
Engineer(s): Thornton-Tomasetti and Ranhill Bersekutu

SUPER RED HOT M&M!

SUPER HOT RED M&M, v1, Edit J-btl3

TITLE: “Super Red HOT M&M!”
GENRE: STUDIO STILL LIFE
CREATION DATE: 03 DEC 08
ARTIST / PHOTOGRAPHER: NAWFAL NUR
COMPANY: NAWFAL NUR PHOTOGRAPHY
OWNERSHIP: NAWFAL NUR
RIGHTS: ALL RIGHTS RESERVED

PHOTO DESCRIPTION: A single, red MINI M&M (about 50% smaller than normal M&M’s), sitting atop a tablespoon full of VERY, VERY, VERY BURNING HOT Vietnamese Chilies. You can see how small they are, but so very potent. The good thing about these chilies is that you can eat them raw like this and they don’t have very many seeds! ;^) HOWEVER, they will make your teeth melt!!! LOLOL!!! I like to put these in Nasi Goreng (Fried Rice).

TECHNICAL DETAILS:

CAMERA: CANON POWERSHOT A620.
LIGHTING: METZ 32 Z2 STROBE (HAND HELD).
DIFFUSER: TESCO (LOLOL) HUGE SALAD BOWL.
SUPPORT: bogen 3001 Professional Tripod, bogen 3025 Head, and MANFROTTO #352 Ball & Socket Head.

SOFTWARE: PHOTOIMPACT X3.

PHOTO NOTES: I wanted to create an image with extreme subjects: The chilies are SUPER HOT; and, the Single M&M is SUPER SWEET. And, I wanted to get in really close to show how small these tiny chilies are. Also, I wanted to capture a still life with complementary color matching: Shades of green and red.

Side Note: MINI M&M’s taste NO DIFFERENT than regular sized M&M’s! Hahahahahahaha!!!!

“RAGE – LIBERATE MY MADNESS!”

RAGE, img6260, Edit D, bw-btl4

PHOTOGRAPH DETAILS:

Title: “RAGE – LIBERATE MY MADNESS,” Edit D”
Photo Series: “F-DEPRESSION!”
Series Date(s): 2008 (Nov – Dec).
Creation Year: 2008

Equipment:

  • CANON POWERSHOT A620.
  • SYSTEMS IMAGING 600-WATT STUDIO FLASH.
  • BOWENS 2′ X 2′ SOFTBOX WITH METALLIC SILVER LINING.
  • 3′ X 3′ WHITE FOAM CORE.
  • SUPPORT – bogen 3001 Pro Tripod, bogen 3025 head & Manfrotto #352 Ball & Socket.
  • 3kg weight.

BEFORE GETTING INTO ANY SILLINESS THAT ENSUES BELOW HERE, I did write up a VERY SERIOUS Blog Entry using this Photograph, at one of my other Photography Journals, IF you are in the MOOD for a serious look at Depression and Anxiety, then this link may help:

“BEHIND THE LENS GALLERIES” BY:  NAWFAL NUR

http://behindthelensgalleries.wordpress.com/

PHOTOGRAPHY Crew DETAILS (kind’of kidding around):

  • Art Work – Nawfal N.
  • Lighting – Nawfal N.
  • Photography – Nawfal N.
  • Art Direction – Nawfal N.
  • Site Location Scout – Nawfal N.
  • “Best Boy” (WTF! is this Job?  I see that job in the movies all the time….anyway…) – I’ll take credit for it I guess – Nawfal N.
  • Ka’BOOM Expert! – Nawfal N.
  • Post Production, PhotoImpact X3 Work – Nawfal N.
  • Model – Nawfal N.

Additional Credits:

  • Clean-up Crew – Nawfal N.
  • General Flunky Extraordinaire! – Nawfal N.
  • Assistant to Nawfal N. – ah, Nawfal N.
  • Personal Driver, Body Guard, and Weapons Expert – Nawfal N.

AND…

  • Making da’ Movie,
  • Working Concessions,
  • Selling da’ Tickets,
  • Running the Projector,
  • and’a…Making da’ Popcorn! – Nawfal N.

LMAOBT!!!!!!!!!!!!!

** This is what you call, “One-Man-Show-Productions, Incorporated!” **

Enjoy the Theme Music, by one of my favorite bands, the best band to EVER come out of IOWA!!! SLIPKNOT – “LIBERATE (MY MADNESS)”

This song seemed unquestionably appropriate for this “dark, dark, dark, photograph!”

So, CRANK UP THE STEREO! Drive your family, friends, co-workers insane, go crazy, get nude, (well, maybe not nude), AND go do some HEAD BANGING!!!!

** Form the BIGGEST MOSH-PIT OF ALL TIMES AT WORK!!!!!!! LMAOBT!!!!!!!!! **

** For the first time, you can TOTALLY SLAM YOUR BOSS!!!!!!!!!! **

Bwuah’hahahahahahahaha!

Evil laughter ensues!!!!!!!!!!!!!!!!!!!!


BLADE BLUE HAND-667, No.1, Edit F

Blade Blue Hand, 667, No.1, Edit F, by Nawfal Nur

Blade Blue Hand, 667, No.1, Edit F, by Nawfal Nur

Title: “BLADE BLUE HAND, 667, No.1, Edit F”
Series: “BLUE HAND”
Number in Series: No. 1.
Genre: Abstract-Geometric-Expressionism
Mediums: Painting & Photography

Painter: Nawfal Nur
Photographer: Nawfal Nur
Art Direction: Nawfal Nur
Model: Nawfal Nur

Investment in Time:
* Prep Time for Equipment Set up: 1/2 Hour.
** Painting: 5 1/2 Hours.
*** Photography: 1/2 Hour.
**** Clean-up: 1 Hour.

Paint Supplies Used:
-1- Schmincke PRIMAcryl (Feinste Künstler-Acrylfarben).
-2- ZIG – KURECOLOR Permanent Alcohol based Ink.
-3- BUNCHO Water Colors.
-4- ALBRECHT DÜRER, Watercolour Pencils by FABER-CASTELL (8200 Series).
-5- Crayola “Brush Tips” Markers.
-6- Artline 70 High Performance Markers.
-7- MonAmi ACCU Liner Permanent Markers (Metallic Series).
-8- Pentel Permanent Markers (N850 Series).
-9- ESTĒE LAUDER Artist’s Eye Pencil – (01 SOFTSMUDGE BLACK).
-10- ESTĒE LAUDER Artist’s Lip Pencil-Crayon – (08 SPICE WRITER).

Camera:
CANON Powershot A620 with Modified Internal Flash Bounce Attachment. Aperture @ f/8.0 and Shutter Speed @ 1/80 sec. (I think…) ;^)

Lighting:
One 600-WATT SYSTEMS IMAGING Studio Flash with 2′ x 2′ BOWENS Softbox. MIRA Hydraulic Light Stands. Modeling on Cont., Power @ 1/16th Output. Distance to Subject, approx., 3-feet.

Additional Lighting or Lighting Aid Gear:
One 3′ x 3′ White Foam core bounce.

Support:
* bogen 3001 Professional Tripod.
** bogen 3025 head.
*** Manfrotto #352 Ball & Socket.
**** 3kg weight.

Computer Software:
* PhotoImpact X3.
————————-
As I mentioned in the text of the photo above, this will be my last photo addition to my Photostream at Flickr.

I have made a promise (to myself) to keep the “F-DEPRESSION” Series Images as close to the TOP of my Photostream as possible. Because with each new image addition, the older images get pushed deeper and deeper into the photostream. And that means, that these “F-DEPRESSION” photographs would eventually get lost in the masses of photos.

The ONLY way these images may help someone who is suffering from Depression, Anxiety or Chronic Pain is to see them, feel the shock value, read the text and GET HELP!!! And, that was the main reason I ventured into this very negative and self-expressing Photo & Text Series.

One of the key components of this type of work (body art), and one that I experienced firsthand, is that IT (the artwork) IS NOT LASTING!

Paint – Photograph – Wash – Rinse – Repeat the Wash & Rinse. Then, the painting is gone for ever! The final product, the actual artpiece is the Body Painted Photograph Portrait: The photograph – that is the lasting art work. The Painting is just part of the preparation! Get it!

This is NOT Airbrush, so the artwork is NOT smooth or finely detailed. I used Acrylic and Watercolours, along with Art Markers and applied them normally, and also with brush and artist’s knife. Some parts of the artwork are smooth and other textured. As the paints dry, the work cracks, so speed is important.

It was extremely painful for me to stand for that length of time – the arthritic A.S. types like myself usually can’t sit-stand-walk-or lie down for very long periods. However, I had to see if I could do it. After the completion of this work, it felt like someone had tortured me (kind of), like someone had been hitting the bottom of my feet with a metal ruler. If you have A.S., you may know that feeling: It’s No fun!!!

5 and 1/2 hours for one Right Arm! It’s the first work like this I’ve done. And, I can say that it was a really good experience and quite interesting to attempt painting oneself and working the camera. Strange feeling!

FROM NOW ON, PLEASE VISIT ME AT:

“BEHIND THE LENS!” (My Photography Journal where I’ve been writing, and where I’ve been exhibiting my Photography, since 2005).

smokephotographist.wordpress.com/

Nawfal Nur
“Behind the Lens!”
smokephotographist.wordpress.com/
27 Nov 2008

PS: “667” refers to what I ‘have seen’ termed as, “Neighbor of the Beast!” HOWEVER, my interpretation is different than probably the person who thought up this novel saying. Here’s how I see it:

“This world is Where the Wicked NEVER Rest, and the Righteous Struggle to just Stand their Ground!” Therefore, I am a ‘neighbor of the beast’ – evil that surrounds us all, daily – it is there, you don’t have to go far to find it.

Of course, perhaps it is much better to pretend that the world is a perfect place, so that you can sleep well at night, but this is just what people who don’t do anything to change it, want you to believe! Or, perhaps, it is what people who have it “made” want others to believe because they have all the resources available to them to ‘escape’ most of the evil that perpetuates itself daily, and around the world.

All you have to do is pick up a newspaper: There must be a lot of “evil” out there, or, the newspapers would NOT be so thick! News of Disasters, Crimes, Chaos, wars, famine, cruelty, and Injustice…this shit sells the News! I STOPPED reading the news a couple of years ago because it just perpetuates in a bad way, whatever stuff you got going on, that isn’t so good.

It is time to go…

Good night Moon!

Good night People!

pss: BTW: The “667” tattoo, I designed by computer software, but I may just have to ink myself with it one of these days!

Eggspressionism, v1-2008, Edit A

“Eggspressionism”.
Abstract Expressionism Photography.
Egg Photography.

I’m a longtime fan of Jackson Pollock, and the Abstract Expressionism style. I’m a rather novice Abstract Expressionism painter myself, but I attempt anyway, and I love using unusual subjects to “throw” my paint, such as eggs.

I’ve only seen one Jackson Pollock work in person, and that is his “Galaxy”, owned by the Joslyn Art Museum (Omaha, NE), which is one of my favorite Pollock paintings, located at one of my favorite places, Joslyn.

I will probably cook this egg later, as it is a real egg, and that is why the 3D original will not last, but my Photography of my artwork, can last on its behalf.

Unlike much/most Abstract Expressionism work, I like a considerable amount of “black-space”. My works are also very small compared to the huge canvases used by the Abstract Expressionism Masters.

Single Light: SYSTEMS IMAGING 600-Watt with BOWENS 2’x2′ Silver Softbox & 1-Gold Reflector. Continuous Lighting, about 1-Sec Shutter Speed, at f/8.0.

Making Thosai, v1, Edit B

 

THOSAI ON A HOT PLATE – Three Thosai being cooked on a hot grill / hot plate. A very thin, but large sized pancake of South India: Sometimes it is referred to as a ‘South Indian Pancake.” You can see how flat they are. The dough is kind of formed / spread out / poured – (not sure what the best term is for it) in a circular fashion. It is quite good, but I prefer “chapatti.”

Updated:  14 June 2008

I’ve noticed that quite a few people visit this entry in my photo-journal, so I will, when I find them, add some links to recipes I’ve noticed for Thosai – I hope this helps you find what you need to make some nice Thosai.

Thosai Recipe & How to Prepare!

Dhosai Recipe (please note:  This is where languages can sometime get tricky.  In the Malay language, the word “Dosa” means “Sin!”  However, I believe a more accurate spelling in addition to “Thosai” would be “Dhosai”, but I’m not the editor of this page for this recipe).  They have chosen to spell it “Dosa”. 

South Indian Pancake Recipe

Black Gram Thosai Recipe

Another Thosai Recipe…

Onion Chutney for Black Gram thosai Recipe